We sell fresh Super8, 16mm and 35mm motion picture film directly and easily. For productions, students and private film enthusiasts.
Extremely fine-grained colour negative film. With E.I. 50 low sensitivity and sensitised for daylight. Available from us as Super8, 16mm 100ft/30.5m, 16mm 400ft/122m, 35mm 400ft / 122m & 35mm 1000ft/305m rolls.
Fine-grained colour negative film. Medium-sensitive with E.I. 200 and sensitised for artificial light. Perfect for studio settings or outdoor shots with filters. Available from us as Super8, 16mm 100ft/30.5m, 16mm 400ft/122m, 35mm 400ft / 122m & 35mm 1000ft/305m rolls.
Fine-grained colour negative film. Medium-sensitive with E.I. 250 and sensitised for daylight. Perfect for outdoor shots! Available from us as 16mm 100ft/30.5m, 16mm 400ft/122m, 35mm 400ft / 122m & 35mm 1000ft/305m rolls.
Moderately fine-grained colour negative film. With E.I. 500. Highly sensitive and sensitised for artificial light. The perfect all-rounder that can actually do everything! Available from us as Super8, 16mm 100ft/30.5m, 16mm 400ft/122m, 35mm 400ft / 122m & 35mm 1000ft/305m rolls.
Fine-grain colour reversal film. With E.I. 100. Moderately sensitive and sensitised to daylight. Suitable for unique looks that stand out from the crowd! Available from us as Super8, 16mm 100ft/30.5m, 16mm 400ft/122m, 35mm 400ft / 122m & 35mm 1000ft/305m rolls. Delivery of 35mm material only to productions.
Moderately fine-grained B&W negative film. With E.I. 200. medium-sensitive and sensitised for daylight. Creates unique black and white looks that stand out from the crowd! Available from us 16mm 100ft/30.5m, 16mm 400ft/122m, 35mm 400ft / 122m.
Very fine-grained B/W reversal film. With E.I. 200. medium sensitivity and sensitised for daylight. Creates even more unique black and white looks that stand out from the crowd! Available from us 16mm 100ft/30.5m, 16mm 400ft/122m.
Fine-grained B/W negative film. With E.I. 80. Low sensitivity and sensitised for daylight. Availability currently very limited.
Moderately grainy, more or less experimental colour negative film. We recommend exposure on EI. 200 and can make the material available in 16mm & 35mm for productions on request.
Very fine-grained Normal-8 film with high contrast and medium sensitivity. Is split by us into 2x8mm after development and can also be projected or scanned directly.
As a rule, we have all Super8 & 16mm film stocks both as 100ft / 30.5m Bolex rolls and as 400ft / 122m rolls on site in sufficient quantities. The availability of 35mm material may vary.
Super8 and 16mm film materials are usually always in stock - moderate quantities can be purchased spontaneously in our shop without prior notice. Larger quantities, or if relevant timings depend on it, please enquire in advance.
The Kodak Vision3 film stocks differ primarily in their sensitivity (between E.I. 50 for Vision3 50D and E.I. 500 for Vision3 500T), as well as in their sensitisation for daylight or artificial light. Daylight contains a high proportion of blue light, which is why artificial light films are more sensitive to blue light in order to compensate for the lower proportion of blue light in artificial light. If artificial light film is exposed to daylight, it is therefore significantly bluer.
Another main difference is the graininess of the film stock: while 50D is virtually grain-free even in 16mm, the graininess increases with the sensitivity of the film material. Nevertheless, 500T, for example, is still surprisingly fine-grained for such a sensitive material.
If possible, film material should always be stored in a cool, dry place in the original sealed cans.
If the material is used directly or only stored on the turn for a few days / weeks, normal cool storage protected from direct heat or sun is sufficient.
Freezing or excessive cold/warm fluctuations are rather counterproductive.
If motion picture film is to be stored long-term, it is advisable to either store it in a dry refrigerator or even freeze it. It is important that no moisture is allowed to accumulate.
After freezing or cold storage, the film must acclimatise for at least a few hours before use so that no condensation forms on the film material.
The name is deceptive - if you use 30.5m / 100ft daylight coils for Bolex cameras in glaring sunlight, you run the risk of unpleasant light incidence.
It is best to insert the film in any confection in complete darkness - if this is not possible, we recommend finding a shady spot.
We can only sell 35mm Kodak Ektachrome to film productions. A sale to private individuals can only take place if the material is shot as a moving image and developed by us.
For this reason, the film is only offered together with processing.
You can conveniently order film online in our webshop. You can pay online via PayPal, bank transfer and credit card (Visa, Mastercard, Amex, Diners Club & JCB) via a secure payment gateway of Berliner Volksbank. Online shop prices include VAT.
Shipping costs are calculated in the checkout. All orders can also be collected free of charge on site.
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You can also pick up the ordered film in person at any time during our opening hours in Berlin.