16mm

We sell, develop and scan 16mm films - from color negative to Ektachrome to black and white negative and reversal.

16mm ARRI SR3 film camera

From hobby filmmaker
to Hollywood shoot

Our service

We develop your 16mm films either as color negative (ECN-2), color reversal (E-6) or black and white reversal. 

We can then digitize the films in resolutions up to 4K. We provide a download link as standard. 

We also offer all analog 16mm copying processes.

How it works

Private customers simply fill out our Order form and send us the films by post from all over the world. Please note our shipping instructions. 

We provide productions with individually tailored offers and personal contact. Tightest timings (same day) are possible. 

What does 16mm development cost?

The costs for developing & scanning depend on the quantity and the type of material sent in. Color negative films are generally cheaper to develop than reversal films. An HD or 2K scan is also cheaper than a 4K scan.

For single 30m rolls we offer special prices for developing and scanning - the more films you send in, the cheaper the scan will be. Students receive a flat-rate 10% discount on our services.

We are happy to create individual and flexible offers for productions. Please contact us directly.

50D - 16mm 100ft / 30,5m

Art. No. 9507
Kodak Vision 3 7203 - 50D 16mm - 1 Cartridge / 100ft.(30,5m) / E.I. 50 - ECN-2 Color Negative Experience the finest grained 16mm film ever - with unsurpassed resolution, sharpness and super fine grain to capture your favorite moments in style and with up to 16 stops of dynamic range. The film has a sensitivity of ISO 5o and is daylight sensitized. The film is best suited for bright scenes with ample light and delivers stunning images with fine grain, high resolution and vivid color.   The perfect choice for your next Bolex summer adventure!

250D - 16mm 100ft / 30,5m

Art. No. 9505
Kodak Vision 3 7207 - 250D 16mm - 1 Cartridge / 100ft.(30,5m) / E.I. 250 - ECN-2 Color Negative Medium speed allrounder - with fine balanced grain, high sharpness and super high exposure latitude of up to 16 stops of dynamic range. The film has a sensitivity of ISO 25o and is daylight sensitized. It is best suited for daylight scenes with varied lighting and delivers stunning images with fine but visible grain, high resolution and vivid color.   The great all-round choice for your next Bolex project!

200T - 16mm 100ft / 30,5m

Art. No. 9509
16mm film for Bolex - Kodak Vision3 200T. Hollywood's favorite emulsion, 200T brings the fine grain of an EI. 100 speed film together with the versatility of a 200 speed emulsion. The film has a sensitivity of ISO 20o and is tungsten sensitized. Shooting the film in daylight without a filter may result in a more bluish image that can be correct with proper scanning. The film is best suited for studio scenes with controlled light, or daylight scenes without a filter for a specific look and delivers stunning images with fine grain, high resolution and vivid color.   The perfect choice for your next 16mm studio adventure!

500T - 16mm 100ft / 30,5m

Art. No. 9503
Kodak Vision 3 7219 - 500T 16mm - 1 Cartridge / 100ft.(30,5m) / E.I. 500 @ 3200K - ECN-2 Color Negative The swiss army knife of film stocks, 500T is the most versatile film stock to ever grace a camera magazine. With a nonminal speed of EI. 500 at a relatively fine grain and high resolution, the film leaves little to be desired. Shooting the 500T in daylight without a filter may result in a more bluish image that can be correct with proper scanning. The film is best suited for every scenario where you don't yet know what will be happening and excels in unpredictable conditions.   If there is ever a "one fits all" emulsion, it is 500T./strong>

Eastman Double X 7222 - 16mm 100ft / 30,5m

Art. No. 9531
Eastman Double X - 7222 16mm - 1 Cartridge / 100ft.(30,5m) / E.I. 250 - D-96 BW-Negative Go back to black & white with Eastman Double X 7222 black & white negative film. This classic film stock has been around since the 1950s and will render a timeless and classic look that is versatile enough to be relevant today. With a nominal speed of ISO 250, the film is versatile and can be used in almost all scenes and circumstances. It features fine to medium grain and delivers smooth microcontrast paired with good sharpness and high dynamic range. Back to the Classics - perfect for music videos

Ektachrome 100D - 16mm 100ft / 30,5m

Art. No. 9515
Kodak Ektachrome 7294 - 100D 16mm - 1 Cartridge / 100ft.(30,5m) / E.I. 100 - E-6 Color Reversal Experience the legendary Kodak Ektachrome - with unsurpassed resolution, sharpness and superior grain structure to capture your most special adventures as close to reality as possible. The film has a sensitivity of ISO 10o and is daylight sensitized. It is best suited for well lit scenes with manageable contrast and excels in documentary work. It will give your project the special sprinkle of reversal magic and set you apart from your peers. Shoot Ektachrome and stand out. Are you ready for Ektachrome? Come find it out!

Tri-X Reversal 7266 - 16mm 100ft / 30,5m

Art. No. 9522
Kodak Tri-X Reversal - 7266 16mm - 1 Cartridge / 100ft.(30,5m) / E.I. 200 @ 5500K & E.I. 160 @ 3200K- D-94 BW-Reversal The film for black & white purists and everyone else seeking an extra individual look. A classic emulsion for classy shoots. High Contrast, paired with high speed and super fine grain. Be sure to meter carefully as this film will not kindly take to less than perfect exposure. If you're a purist this is for you!

50D - 16mm 400ft / 122m

Art. No. 9508
Kodak Vision 3 7203 - 50D 16mm - 1 Roll / 400ft.(122m) / E.I. 50 - ECN-2 Color Negative Medium speed allrounder - with fine balanced grain, high sharpness and super high exposure latitude of up to 16 stops of dynamic range. The film has a sensitivity of ISO 25o and is daylight sensitized. It is best suited for daylight scenes with varied lighting and delivers stunning images with fine but visible grain, high resolution and vivid color.   The great all-round choice for your next Bolex project!

200T - 16mm 400ft / 122m

Art. No. 9510
Kodak Vision 3 7213 - 200T 16mm - 1 Roll / 400ft.(122m) / E.I. 200 - ECN-2 Color Negative Medium speed allrounder - with fine balanced grain, high sharpness and super high exposure latitude of up to 16 stops of dynamic range. The film has a sensitivity of ISO 25o and is daylight sensitized. It is best suited for daylight scenes with varied lighting and delivers stunning images with fine but visible grain, high resolution and vivid color.   The great all-round choice for your next Bolex project!

250D - 16mm 400ft / 122m

Art. No. 9506
Kodak Vision 3 7207 - 250D 16mm - 1 Roll / 400ft.(122m) / E.I. 250 - ECN-2 Color Negative Medium speed allrounder - with fine balanced grain, high sharpness and super high exposure latitude of up to 16 stops of dynamic range. The film has a sensitivity of ISO 25o and is daylight sensitized. It is best suited for daylight scenes with varied lighting and delivers stunning images with fine but visible grain, high resolution and vivid color.   The great all-round choice for your next Bolex project!

500T - 16mm 400ft / 122m

Art. No. 9504
Highly sensitive color negative material with relatively low grain, neutral color reproduction and a high contrast range. The material is suitable for all applications, but has a more pronounced grain compared to the other film types. Particularly suitable for shooting in very low light conditions.

Tri-X Reversal 7266 - 16mm 400ft / 122m

Art. No. 9521
Kodak Tri-X Reversal - 7266 16mm - 1 Roll / 400ft.(122m) / E.I. 200 @ 5500K & E.I. 160 @ 3200K- D-94 BW-Reversal The film for black & white purists and everyone else seeking an extra individual look. A classic emulsion for classy shoots. High Contrast, paired with high speed and super fine grain. Be sure to meter carefully as this film will not kindly take to less than perfect exposure. If you're a purist this is for you!

Ektachrome 100 - 16mm 400ft / 122m

Art. No. 9516
Kodak Ektachrome 7294 - 100D 16mm - 1 Roll / 400ft.(122m) / E.I. 100 - E-6 Color Reversal Fine-grained color reversal film. With E.I. 100. Moderately sensitive and sensitized for daylight. Suitable for unique looks that stand out from the crowd!  

Which 16mm
Are there movies?

How often is 16mm film developed?

As a rule, we develop color negatives daily and reversal & black & white films on Thursdays.

Special developments on other days / weekends are possible on request.

Color negative

Development daily. 

Acceptance deadline
regular the day before

Color inversion

Development every Thursday. 

Deviating development possible by arrangement

Black and white

Development every Thursday. 

Deviating development possible by arrangement

How long does 16mm development and scanning take?

The standard runtime for development including scanning is 2-4 working days. If the workload is very high, it may take longer for your scans to be made available for download. 

Same-day development / scan / upload possible for productions after notification.

How is 16mm film scanned?

Resolution

We can scan 16mm film with a resolution of HD, 2K and up to 4k+.

As standard, we scan logarithmically with overscan (Full Aperture) with Scanity HDR. 

Alternatively, we can offer the scan via ARRISCAN XT on request.

 

Delivery

You can choose between easy-to-use H264 MP4 files or professional ProRes Quicktimes (422 / 4444) when selecting the files you want to receive. 

The delivery of .dpx sequences is also possible on request.

Delivery is by default via download link or via Cinegrell Cloud.

What is there to to consider?

Old movies

We develop overlayed / old films exclusively without guarantee of results.

Old material may have to be developed separately, which is why no binding timings can be given here.

Push / Pull

We can push 16mm films up to +2 f-stops in development, or push -2 f-stops (forced/deforced development). 

Please note that additional costs may be incurred.

Analog 16mm
Copying

As a classic copying plant, we naturally also offer analog negative-to-positive copying and blow-ups. 

We can copy 16mm film from color or black and white negative either as one-light or as a balanced copy on fresh 16mm Kodak print material. 

We offer wetgate or drygate copying and can supply your 16mm film copy either muted, with mono optical sound or even with a magnetic edge track. 

If you need a 16mm copy based on digital data, we can also produce an exposure of your files to obtain a projectable color or black and white copy.

Digital to 16mm
Negative or positive

For individual film looks for file-based productions, or if you need an analog 16mm copy of digital files, we can make exposures of digital data on 16mm negative or positive film. 

We can supply copies either in mute or in 16mm with mono optical sound or, on request, with magnetic sound recording.

On site: Mon-Fri from 8:45 a.m.

You can bring the film to us in person at any time during our opening hours in Berlin, or send it to us conveniently by carrier or courier.

Request now